Yamaha MG16 Mixer - 16 Input - Occupies 12RU - Rack Kit Included

The Yamaha MG16 is a 16-channel analog mixing console from Yamaha's MG series. Unlike the "XU" models (like the MG10XU or MG12XU), the standard MG16 focuses purely on high-quality analog mixing without built-in digital effects or a USB audio interface. It's designed for live sound reinforcement, recording studios, and installations that prioritize straightforward, robust analog operation and excellent sound quality.

Here's a detailed breakdown of its key features and specifications:

Channels and Inputs:

• Total Channels: 16 input channels.

• Mono Mic/Line Inputs (XLR/TRS Combo Jacks): 8 channels (Channels 1-8).

  • Equipped with Yamaha's renowned "D-PRE" studio-grade discrete Class-A microphone preamps. These preamps are known for their transparent, natural, and low-noise characteristics, using an inverted Darlington circuit for higher power and lower impedance.

  • +48V Phantom Power: Switchable per group of channels (e.g., Channels 1-8).

  • PAD Switch: 26 dB attenuation, useful for handling high-level input signals to prevent clipping.

  • High-Pass Filter (HPF): 80 Hz, 12 dB/octave, to eliminate unwanted low-frequency rumble.

  • 1-Knob Compressors: On channels 1-8, providing simple yet effective dynamics control with a single rotary knob.

• Mono/Stereo Line Inputs (TRS/RCA Jacks): 2 channels (Channels 9/10 and 11/12). These can accept either a single mono XLR microphone input (with D-PRE preamp, HPF, PAD, but no 1-knob compressor) or stereo TRS line inputs.

• Stereo Line Inputs (TRS/RCA Jacks): 2 dedicated stereo channels (Channels 13/14 and 15/16).

Outputs:

• Stereo Out: 2 x XLR balanced outputs and 2 x TRS balanced outputs for connecting to main PA speakers or recording devices.

• Monitor Out: 2 x TRS outputs for connecting to stage monitors or control room monitors.

• Phones Out: 1 x 1/4" stereo headphone jack with level control.

• AUX Sends: 4 x TRS outputs (AUX 1-4). These are versatile sends for creating separate monitor mixes for musicians, or for connecting to external effects processors.

• GROUP Out: 4 x TRS outputs (GROUP 1-4). This is a significant feature for sub-mixing multiple channels (e.g., all drums, all vocals, all guitars) to a single stereo or mono group, providing more control over the overall mix.

Buses:

• 1 Stereo Bus

• 4 GROUP Buses (for flexible sub-mixing)

• 4 AUX Buses (for monitor mixes or external effects)

Processing & Control:

• Channel EQ:

  • 3-band EQ (High, Mid, Low) with sweepable mid-frequency on mono channels (1-12): Offers precise tonal control for instruments and vocals.

  • 2-band EQ (High, Low) on stereo channels (13-16).

• Faders: All input channels, group masters, and the stereo master have 60mm smooth-action faders for tactile level control (unlike the knob-based levels on smaller MG mixers).

• Peak LEDs & Level Meters: For visual monitoring of signal levels to prevent clipping.

Construction & Design:

• Metal Chassis: Rugged, durable, and impact-resistant all-metal chassis designed to withstand the rigors of frequent use and transport.

• Internal Universal Power Supply: Reduces clutter by eliminating the need for an external power adapter.

• Rack-Mountable: An optional rack-mount kit (RK-MG12) is available to install the mixer into a standard equipment rack, despite its 16-channel size. This is a common feature on the MG16 and MG20.

Key Strengths:

• Pure Analog Quality: Focuses on providing clean, transparent analog sound without the added complexity of digital effects or USB, which can be preferred in certain professional settings or by purists.

• Expandable Routing: With 4 group buses and 4 aux sends, it offers significantly more routing flexibility than smaller mixers.

• Durable Build: Built to last in demanding environments.

• Excellent Preamps: The D-PRE preamps are a standout feature, providing a solid foundation for any mix.

The Yamaha MG16 is a workhorse analog mixer, perfect for bands, small to medium-sized venues, churches, or anyone needing a reliable, great-sounding, and highly flexible analog mixing console without the need for integrated digital features.