Used Gibson RB150 with Tone Ring

The Gibson RB-150 is a vintage banjo model, often sought after by players and collectors. The "RB" stands for "Resonator Banjo." The inclusion of a tone ring is a key detail, as the RB-150 was originally made without a full Mastertone-style tone ring. Banjos with this setup are often referred to as "hoop" banjos or "archtop" banjos, as they featured a simple brass hoop or a lighter archtop-style ring instead of the heavy, cast-metal flathead tone ring.

A "used Gibson RB-150 with a tone ring" typically refers to one of two scenarios:

1. A factory-produced, later-era RB-150 with a tone ring: In the 1960s, some RB-150 models were produced with a tone ring, often an archtop style.

2. A "conversion" banjo: This is the more common scenario. A conversion banjo is one where a traditional, open-hoop Gibson banjo (like a pre-war or 1950s RB-150) has had its original rim modified or replaced to accept a full, flathead tone ring. This is a popular modification as it gives the banjo the loud, punchy, and clear tone of a Mastertone-style banjo. The tone ring used in a conversion can be a vintage part or a modern reproduction.

Here is a detailed breakdown of the features of a typical RB-150, with consideration for the "tone ring" feature:

Core Concept & Construction

• Vintage Gibson: The RB-150 was a mid-range model in Gibson's banjo lineup, typically produced from the late 1940s into the 1960s. These instruments have a distinct vintage character and a sound that is highly valued by players of bluegrass and traditional music.

• Mahogany Construction: The neck and resonator are typically made of mahogany, which contributes to a warm, woody, and classic banjo tone.

• Rosewood Fingerboard: The fingerboard is usually made of rosewood, which is known for its durability and smooth playing feel. The fretboard inlays can vary depending on the year of manufacture.

• Original Resonator and Pot: A key part of the vintage character of the RB-150 is its original resonator and pot. The multi-ply maple rim and the brass hoop or tone ring give the instrument its unique voice.

Features of a "Tone Ring" Model

• Enhanced Tone and Volume: The addition of a flathead tone ring dramatically changes the sound of the RB-150. It increases the volume, adds a rich, sustained "ring," and provides the "pop" that is characteristic of the Mastertone sound.

• Conversion Details: The quality of a conversion banjo depends on the skill of the luthier who performed the work and the quality of the tone ring used. A well-done conversion can be a fantastic-sounding and highly valuable instrument.

• Hardware: The banjo would typically feature Gibson's classic hardware, including a one-piece flange, tension hoop, and armrest. The tuners on a vintage model may have been replaced over the years for better tuning stability.

Overall Impression

A used Gibson RB-150 with a tone ring is an excellent choice for:

• Professional and Intermediate Bluegrass Players: It offers a genuine Gibson sound at a more accessible price point than a pre-war Mastertone.

• Players seeking a vintage instrument: The RB-150 provides the craftsmanship and tone of a vintage Gibson banjo with the added benefit of modern projection and volume from the tone ring.

• Collectors: Depending on the year and originality, the RB-150 can be a desirable collector's item, especially a well-done conversion with a high-quality tone ring.